Kryukov Pavel
Notated antiphons Stepenny in «Tipografsky Ustav»
For citation
Kryukov Pavel (2021)
"Notated antiphons Stepenny in «Tipografsky Ustav» ",
Vestnik Pravoslavnogo Sviato-Tikhonovskogo gumanitarnogo universiteta.
Seriia V : Voprosi istorii i teorii hristianskogo iskusstva,
2021,
vol. 42,
pp. 9-21 (in Russian).
DOI of the paper:
10.15382/sturV202142.9-21
Abstract
This article is devoted to one of the central genres of the book Oktoikh notirovanny (‘Notated Octoechos’), i.e. the antiphons Stepenny. It discusses the problems of forming the notated cycles in the Octoechos in the most ancient stage and identifies the ways of their transformation. It also substantiates the problems of continuity of the poetic and musical texts by the mid-15th century with this cycle used as an example. The object of the study is the most ancient extant manuscript from the collection of the Tretyakov Gallery which contains a copy of the antiphons Stepenny with Znamennaya notation. The article studies this copy using the example of the antiphons of the 4th mode (glas) both as an independent mode and in comparison with the copy of the Stepenny from a collection of the Trinity Lavra of St. Sergius; it compares the structure of the chants, principles of notation, reveals discrepancies in the poetic text and the note text. The following conclusions are made based on the comparison of the copies: by the time of the “fracture of style”, the discrepancies in the poetic texts of the chants prove to be insignifi cant and can be explained by local editing; the structure of the chants and their division into lines is practically always identical; the analysis and comparison of the note text allows one to state that the singing of the antiphons Stepenny, judging by the hook line, was similar. This provides evidence of the continuity between the copy of the 15th century as related to that of the 11th century, while techniques of their editing refl ect characteristic features of the singers’ practice.
Keywords
‘Notated Octoechos’, Typographical Typicon with Contacarium, manuscript, antiphons Stepenny, Znamenny chant, notation
References
- Aleksandrina A. (2020) Pevcheskie rukopisnye knigi XV–XIX vekov Troitse-Sergievoi Lavry. Nauchnoe opisanie [Manuscript song books of the 15th — 19th centuries of St. Sergius Lavra. Scientific description]. Moscow (in Russian).
- Durnovo N. (2000) Izbrannye raboty po istorii russkogo iazyka [Selected works on the history of the Russian language]. Moscow (in Russian).
- Filippova E. (2006) “K voprosu ob izmenenii pevcheskoi praktiki v Russkoi Tserkvi v period bogosluzhebnoi reformy 14–15 vv.” [On the question of changing the singing practice in the Russian Church during the liturgical reform of the 14th — 15th centuries], in “Idu v nevedomyi mne put’”: Pamiati Eleny Filippovoi. Seriia: Nauchnye trudy Moskovskoi gosudarstvennoi konservatorii im. P. I. Chaikovskogo, 2006, vol. 55, pp. 8–17 (in Russian).
- Guseinova Z. (2015) “Drevnerusskaia kriukovaia notatsiya XV veka: preobrazovaniia i novatsii” [Znamenny notation of the 15th century: transformations and innovations]. Vestnik Iuzhno- Ural’skogo gosudarstvennogo universiteta. Seriia: Social’no-gumanitarnye nauki, 2015, vol. 15, no. 3, pp. 84–90 (in Russian).
- Guseinova Z. (1998–99) “Oktoikh notirovannyi (po materialam rukopisei XV–XVII vekov)” [Notated Octoechos (based on the materials of manuscripts of the 15th — 17th centuries]. Dni slavianskoi pis'mennosti i kul'tury [Days of the Slavonic booklore and culture], no. 1–2. URL: https://docs.google.com/viewer?a=v&pid=sites&srcid=ZGVmYXVsdGRvbWFpbnxndXNlam5vdmF6bXxneDozMDhjYjg0YmM5NGI3NjU0 (02.02.2021) (in Russian).
- Pentkovskii A. (2001) Tipikon patriarkha Aleksiia Studita v Vizantii i na Rusi [The Typicon of Patriarch Alexy the Studite in Byzantium and in Rus’]. Moscow (in Russian).
- Popov A. (2002) “Zhanr antifonov stepenny v traditsii Kirillo-Belozerskogo monastyria (konets XV–XVII vv.)” [The genre of antiphons Stepenny in the tradition of Kirillo-Belozersky Monastery (late 15th — 17th centuries)], in Pevcheskoe nasledie Drevnei Rusi (istoriia, teoriia, estetika) [Legacy of the art of singing of Ancient Rus’ (history, theory, aesthetics)]. St. Petersburg, pp. 291–302 (in Russian).
- Samoilenkov S. (2015) “Propoved’ v evangel’skom bogosluzhenii: metod ili bezyskusnaia odukhotvorennost’” [Preaching of the Gospel liturgy: a method or artless spirituality]. Interpretatsiya Biblii i propoved'. Trudy SPbHU, no. 7, pp. 145–167 (in Russian).
- Shvets T. (2016) “Drevnerusskaia pevcheskaia kniga kondakar’: nachal’nii etap izucheniya” [The song book Kontakarion: the initial period of research]. Vestnik Yuzhno-Ural'skogo gosudarstvennogo universiteta. Seriia: Sotsial’no-gumanitarnye nauki, 2016, vol. 16, no. 2, pp. 98–105 (in Russian).
- Strunk O. (1960) “Antifons of the Octoechos”. Journal of the American Musicological Society, 1960, XIII, pp. 165–190.
- Starikova I. (2013) “17-ia kafi zma (Ps 118) vsenoshchnogo bdeniia v drevnerusskom pevcheskom iskusstve XV–XVII vv. (razdel’norechnaia redaktsiia)” [The 17th kathisma of the vigil in the Old-Russian chant tradition, 15th — 17th centuries]. Vestnik PSTGU. Seriia V: Voprosy istorii i teorii khristianskogo iskusstva, 2 (11), pp. 7–36 (in Russian).
- Uspenskii N. (2004) Pravoslavnaia vechernia: Istoriko-liturgicheskii ocherk. Chin vsenoshchnogo bdeniia na Pravoslavnom Vostoke i v Russkoi Tserkvi [Orthodox Vespers: A Historical and liturgical essay. The rite of the All-Night Vigil in the Orthodox East and in the Russian Church]. Moscow (in Russian).
- Uspenskij B. (ed.) (2006) Tipografskii Ustav: Ustav s kondakarem kontsa XI — nachala XII veka [Typographical Typicon: typicon with contacarium (end of the 11th — beginning of the 12th centuries)], vol. 1–3. Moscow (in Russian).
- Vladyshevskaia T. (2006) Muzykal’naia kul’tura Drevnei Rusi [Musical culture of Ancient Rus’]. Moscow (in Russian).
- Zalizniak A. (2004) Drevnenovgorodskii dialekt [Old Novgorod dialect]. Moscow (in Russian).
Information about the author
Kryukov Pavel
Student status: Graduate student;
Place of study: St. Tikhon’s Orthodox University for the Humanities; 6/1 Likhov pereulok, Moscow, 127051, Russian Federation;
ORCID: 0000-0002-5008-5191;
Email: pasha.kryukov.94@mail.ru.