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The Liturgy of the Presanctifi ed Gifts’s Singing Range in Partesny Manuscripts of the 18th Century
DOI of the paper: 10.15382/sturV201623.86-99
Abstract
This article is devoted to several aspects of the liturgy of The Presanctifi ed Gifts existance in the polyphony of the 18th century. The main attention is paid to the structure of the cycle, and the reflection of the multimelodiousness principle in it. On the grait prokeimenon «Let my prayer be set forth» example, the usage of the traditional chants in the Liturgy of The Presanctified gift's, some features of its harmonization, and evolution of its performance practice are considered. This research is performed on the material of the partes manuscripts, mainly permanent partes polyphony.
Keywords
The Liturgy of The Presanctified Gifts, the great prokeimenon, partesny harmonizations, a constant polyphony, the Synodal singing collection, manuscripts, Greek chant, Kievan chant
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