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Швец Т. В. Репертуар певческой книги Кондакарь в Студийско-Алексиевском Уставе // Вестник ПСТГУ. Серия V: Вопросы истории и теории христианского искусства. 2016. Вып. 2 (22). С. 69-89. DOI: 10.15382/sturV201622.69-89
The Typikon of Patriarch Alexios Stoudites is the major source for chant books studies. This article is the first attempt to examine a connection between liturgical indications from the Typikon (according to the MS 330 from the Sinodal collection, State Historical Museum) and the Kondakar chants. The Typikon references to chants contain such information as indications of their liturgical function, their genre, mode, idiomelon and the incipit, a cast of singers; the full text of a chant is written out in a few cases. This article mirrors the binary structure of the Kondakar: liturgical instructions referring to the chants of the first part of the book (kontakia, oikoi and Akathistos to the Most Holy Theotokos) are analyzed first, while the chants from its second, additional part (ypakoe, troparia, koinonika, the daily chants) are examined later. This research helps to reestablish the full nomenclature of chants described in the Typicon (total of 103 items), to restore or verify their liturgical function and to reconstruct character of their performance. We also may conclude that Kondakar chants were widely used in monastic liturgical practices. A number of tables containing data on the Kondakar chants mentioned in the Typikon were compiled in the course of the study.
Typikon of Patriarch Alexios Stoudites, singing book Kondakar, liturgical instructions, kontakion, oikos, Akathistos to the Most Holy Theotokos, troparion, ypakoi, koinonikon, the daily chants.

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2. Vladyshevskaja T. F. Muzykal'naja kul'tura Drevnej Rusi (Musical Culture of Old Rus’), Moscow, 2006.
3. Zabolotnaja N. V. Cerkovno-pevcheskie rukopisi Drevnej Rusi XI–XIV vekov: osnovnye tipy knig v istoriko-funkcional'nom aspekte (Church Chant Manuscripts of Old Rus’ of XI–XIV Centuries: Main Types of Books in Historical-Functional Aspect), Moscow, 2001.
4. Kazachkov Ju. A. “Akafist. Kompozicionnoe i metricheskoe postroenie. Istoriko-dogmaticheskoe soderzhanie. Vopros o datirovke i atribucii” (Akathistos. Compositional and Metrical Structure. Historical-Dogmatic Content. Question about Date and Ascription), in Pravoslavnaja jenciklopedija, in: http: www.pravenc.ru/text/63814.html (Date: 26.08.2015).
5. Lisicyn M., prot. Pervonachal'nyj slavjano-russkij Tipikon. Istoriko-arheograficheskoe issledovanie (Original Slavic-Russian Typikon: Historical-Archaeographic Study), Saint-Petersburg, 1911.
6. Loseva O. V. Russkie mesjaceslovy XI–XIV vekov (Russian Calendars of XI–XIV Centuries), Moscow, 2001.
7. Momina M. A. 1976 “Postnaja i Cvetnaja Triod'” (Triodion and Pentecostarion), in Metodicheskie rekomendacii po opisaniju slavjano-russkih rukopisej dlja Svodnogo kataloga rukopisej, hranjashhihsja v SSSR, Moscow, 1976, vol. 2/2, pp. 389–419.
8. Nikiforova A. Ju. “Akafist. Liturgicheskoe upotreblenie” (Akathistos. Liturgical Use), in Pravoslavnaja jenciklopedija, in http: www.pravenc.ru/text/63814.html (Date: 26.08.2015).
9. Pentkovskij A. M. Tipikon patriarha Aleksija Studita v Vizantii i na Rusi (Typikon of Patriarch Alexios Studites in Byzantium and Rus’), Moscow, 2001.
10. Pletneva E. V. Pevcheskaja kniga «Oktoih» v drevnerusskoj tradicii (po rukopisjam XI–XV vekov): dis. ... kand. iskusstvovedenija (Chant Book “Oktoichos” in Old Russian Tradition (on Manuscripts of XI–XV Centuries): Dissertation), Saint-Petersburg, 2008.
11. Pozhidaeva G. A. 2003 “Istoriko-liturgicheskie predposylki prostrannogo penija na Rusi” (Historical-Liturgical Premisis of Long Chant in Rus’), in Lozovaja I. (ed.) Gimnologija, Moscow, 2003. vol. 3: Cerkovnoe penie v istoriko-liturgicheskom kontekste: Vostok — Rus' — Zapad, pp. 108–126.
12. Skaballanovich M. N. Tolkovyj Tipikon. Ob’jasnitel'noe izlozhenie Tipikona s istoricheskim vvedeniem (Explained Typikon. Explanatory Exposition of Typikon with Historical Introduction), Kiev, 1913, vol. 2.
13. Tutolmina S. N. Russkie pevcheskie Triodi drevnejshej tradicii: dis. ... kand. iskusstvovedenija (Russian Chant Triodion of Oldest Tradition: Dissertation), Saint-Petersburg, 2004.
14. Uhanova E. V. 2000 “Osobennosti bogosluzhenija Russkoj Cerkvi IX–XIV vv.” (Features of Russian Church Divine Service of IX–XIV Cent.), in Vestnik RGNF, Moscow, 2000, vol. 3, pp. 83–93.
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16. Myers G. A Historical Liturgical and Musical Exploration of Kondakarnoe Penie. The Deciphering of a Medieval Slavic Enigma, Sofia, 2009, pp. 104–112.
17. Myers G. 1988 “The Blagoveshchensky Kondakar and Survival of the Constantinopolitan All-Chanted Office in Kievan Rus”, in Musica Antiqua VIII. Acta Musicologica, Bydgoszcz, 1988, vol. 1, pp. 703–721.
18. Strunk O. 1977 “Intonations and Signatures of the Byzantine Modes”, in Essays on Music in the Western World, New York, 1977, pp. 19–44.
Швец Т. В. Месяцесловы древнерусских Кондакарей // Вестник ПСТГУ. Серия V: Вопросы истории и теории христианского искусства. 2017. Вып. 26. С. 40-56. DOI: 10.15382/sturV201726.40-56
The Menologion is a system of fi xed church feasts arranged according to the calendar sequence from September to August. The section of the Menologion that contains kontakia (or kontakia and oikoi) dedicated to Saints constitutes the most signifi cant part of the singing book Kondakar (Russ. кондакарь). This article for the fi rst time presents an integrated comparative study of all extant menologia from Russian Kondakars. The main results of the study are as follows: 1) full index of feasts contained in all Kondakar menologia; 2) index of feasts, which form a certain “liturgical nucleus” of the singing book in question; 3) register of unique feasts located in only one MS; 4) corrections in dating of some MSs.
Kondakar, Menologion, propria of Menaia, church feasts, “liturgical nucleus” of the Menologion

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