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Федорова А. М. Методологические проблемы исследования взаимосвязи креативности и синестезии в музыкально- исполнительской деятельности // Вестник ПСТГУ. Серия IV: Педагогика. Психология. 2015. Вып. 4 (39). С. 149-158. DOI: 10.15382/sturIV201539.149-158
The article is dedicated to the problem of researching the personal creativity manifestation in interrelation with the synesthesias phenomenon in musical performance. The article submits the critical analysis of existing approaches to the defi nition of creativity and to its practical study.
creativity, musical performance, synesthesias, systemic approach, creation

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Федорова Е. С. Ян Амос Коменский. Матетика // Вестник ПСТГУ. Серия III: Филология. 2020. Вып. 64. С. 121-138. DOI: 10.15382/sturIII202064.121-138
Nikolay A. Fedorov was a translator of a wide range. He translated texts of the Roman Golden era authors and was considered a major Russian specialist in Ciceronian studies, his work on the ethical terms in Cicero’s works is unique of its kind in the field.Latin authors of XVII century have very specifi c language, and many great philosophers’s works — G. W. Leibniz, F. Bacon, Th. Hobbes, P. Gassendi have become known to the Russian readers through the translations by Nikolay Fedorov. So N. Fedorov was quite experienced to translate a work by Jan Amos Komensky (1592–1670), Czech pedagogue and humanist, writer and religious author. He was a Bishop of the Bohemian Brothers Church as well. His treatise Mathetica had been lost for many years and found about 1892 at the British Museum by a Slovak researcher Jan Kvačala (1862–1934), who came to teach theology at the Derpt University (now Tartu Unoversity). The translation of the treatise was the last one by Nikolay Fedorov before his death in 2016 aged 91. His remarkable approach to the translation process is being described as an examplary one and in accordance with the Classical philology school of Moscow State University which implies slow reading and deep analysis of every word in the Classical text.
Classical philology at MSU, translation school at MSU, principles of translation by Nikolay Fedorov, the first translation of Jan Amos Komensky’s «Mathetika» into Russian
  1. Fedorov Nikolay A. (2015) “Stanovlenie esteticheskoj leksiki Tsitserona”, in Ars docendi — Iskusstvo nauchit’, Moscow: Izdatel`stvo PSTGU, pp. 251–460 (in Russian).
  2. Fedorova Ekaterina (ed.) (2015) Ars docendi — Iskusstvo nauchit’. Moscow: Izdatel`stvo PSTGU.
  3. Firsov E. F. (2018) “Professor teologii Jan Kvačala v svete novykh arkhivnykh otkrytij v Rossii i Slovakii”, in Liberté et Patrie: Miscellany in Honour to Jozef Rydlo, Bratislava, pp. 188–201. Libri Historiae Slovaciae/ Libri Historiae Europae (in Russian).
  4. Dashevskij Grigorij M., Kalashnikova Elena (2001) “’Ne pochtovye golubi naslazhdenij a’: [Intervju s Grigoriem Dashevskim]”. Russkij Zhurnal, 2001, November 15, available at: http://www.litkarta.ru/dossier/dashevskiy-kalashnikova-interview/ (15.05.2020) (in Russian).
  5. Kulkova Natalia A. (2017) “Traktat svt. Amvrosij a Mediolanskogo ‘Ob objazannostjah’ v antichnoj i christianskoj tradicii”, in Amvrosij Mediolanskij , svt. Sobranije tvorenij, Moscow: Izdatel`stvo PSTGU, vol. 7, pp. 21–29 (in Russian).
  6. Vyrubov N. V. (2017) “Uchastnik Osvobozhdenij a: Besedy s Paskalem Mailhosom, Tulon, 1998”, in Russkij barin — geroj Francii N. V. Vyrubov, Moscow: Poligraf-plyus, pp. 9–74 (in Russian).
Fedorova Ekaterina
Academic Degree: Doctor of Sciences* in Culturology;
Academic Rank: Associate Professor;
Place of work: Lomonosov Moscow State University; Russian Federation, Moscow Leninskie Gory 1/13;
Post: professor;
ORCID: 0000-0002-5199-3706;
Email: ledentu@mail.ru. *According to ISCED 2011, a post-doctoral degree called Doctor of Sciences (D.Sc.) is given to reflect second advanced research qualifications or higher doctorates.