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Тимуск С. А. Ирмологий БАН 16.15.13 - уникальный памятник постоянного многоголосия // Вестник ПСТГУ. Серия V: Вопросы истории и теории христианского искусства. 2016. Вып. 4 (24). С. 81-100. DOI: 10.15382/sturV201624.81-100
The article is dedicated to Irmologion BAN 16.15.13 — a unique treasure of the middle of the 18th century. This is the only Irmologion in the style of constant polyphony known in contemporary musical medieval studies. The manuscript contains partes harmonisation of the znamenny chant which are shaped by Kiev square note and constitute a score. The article presents the process of the emergence of the score; examines particular aspects of the provenance of the source of origin — namely the plain song — in the context of polyphony; provides the musical analysis of the texture. Findings allow to introduce the manuscript into the context of the ancient Russian chant books, while pointing out both common and non-conventional polyphonic features of noting heirmoses in the time when Irmologion was created. In the last part of the article musical examples of heirmoses of Easter canons in the style of constant polyphony are published.
Сonstant polyphony, partes harmonisation, Irmologion, irmos, znamenny chant, Canon Easter

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