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Пастон Э. В. «Соборный идеал» В. М. Васнецова. Работа художника во Владимирском соборе в Киеве (1885–1896) // Вестник ПСТГУ. Серия V: Вопросы истории и теории христианского искусства. 2019. Вып. 36. С. 151-162. DOI: 10.15382/sturV201936.151-162
The article studies the formation of V. M. Vasnetsov’s “ideal of unity” (Russ. «соборный идеал») which was an important factor in accomplishing the tasks of decorating the interior of Vladimir Cathedral in Kiev, the monument cathedral, dedicated to the 900th anniversary of the Baptism of Russia, whose paintings conveyed the idea of internalising the religious history of Russia. Vasnetsov saw a prerequisite of success in the task of decorating the cathedral in the “ardent link between the painters and contemporaries”. Thus the “ideal of unity” of the artist is being gradually shaped. Its foundation is the idea of the “natural unity of mankind” according to the Slavophiles, which implies a very deep harmony between people; this is an asset of those who are united by the sincere service for truth, kindness, and beauty.
spirit of unity, ideal of unity, religious painting, paintings in Vladimir church in Kiev, artistic and aesthetic programme, Vasnetsov, Abramtsevo circle
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Paston Eleonora
Academic Degree: Doctor of Sciences* in Art Criticism;
Academic Rank: Senior Research Fellow;
Place of work: Tretyakov State Gallery; 10 Lavrushinskiy Pereulok, Moscow 119017, Russian Federation;
Post: Leading Researcher;
ORCID: 0000-0002-4896-9481;
Email: pastonella@mail.ru. *According to ISCED 2011, a post-doctoral degree called Doctor of Sciences (D.Sc.) is given to reflect second advanced research qualifications or higher doctorates.