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Скирская Т. В. Протоиерей Д. В. Разумовский и князь В. Ф. Одоевский. Научные контакты // Вестник ПСТГУ. Серия V: Вопросы истории и теории христианского искусства. 2016. Вып. 3 (23). С. 151-158. DOI: 10.15382/sturV201623.151-158
The article is focuses on the cooperation and friendly exchanges of the two scientists, V. F. Odoevsky and D. V. Razumovsky, in the formation of the Russian church singing medieval studies. The author attempts on the basis of archival and published materials, to consider in more detailes the individual contribution of Archpriest Razumovsky and Prince Odoevsky to the study of ancient liturgical singing and to determine the nature of their mutual influence on each other.
D. V. Razumovsky, V. F. Odoevsky, history of church music, a collection of photographs of Greek manuscripts, methodology of the study of Znamenny raspev

1. Lozovaja I. E. 2009 “O soderzhanii ponjatija «glas» i «lad» v kontekste drevnerusskoj monodii” (About Content of Idea “Oichos” and “Frat” in Context of Old Russian Monodia), in Gimnologija: Mat-ly Mezhdunar. konf. «Aktual'nye problemy izuchenija cerkovno-pevcheskogo iskusstva: nauka i praktika» (k 120-letiju konchiny D. V. Razumovskogo), 2009, vol. 6, pp. 344–359.
2. Mercalova O. 2000 “D. V. Razumovskij v pis'mah o cerkovnom penii v Rossii” (D. V. Razumovskij in Letters about Church Chant in Russia), in Gimnologija. Mat-ly Mezhdunar. nauch. konf. «Pamjati protoiereja Dimitrija Razumovskogo» (k 130-letiju Moskovskoj konservatorii) 3–8 sentjabrja 1996, Moscow, 2000, pp. 26–29.
2. Panchenko F. V. “Moskovskie staroobrjadcy i D. V. Razumovskij (jepizody k sjuzhetu)” (Moscow Old Believers and D. V. Razumovskij (Episodes to Story)), in Gimnologija. Aktual'nye problemy izuchenija cerkovno-pevcheskogo iskusstva. Nauka i praktika, vol. 6, pp. 524–532.
3. Rahmanova M. P. “Dimitrij Razumovskij: svjashhennik i ucheny” (Dimitrij Razumovskij: Priest and Scholar), in Russkaja duhovnaja muzyka v dokumentah i materialah, vol. 6/2: Smolenskij i ego korrespondenty, pp. 377–392.
4. Smoljakov B. 2000 “Voprosy sovremennogo nauchnogo izuchenija drevnepevcheskoj terminologii i ih otrazhenie v trudah D. V. Razumovskogo” (Questions of Modern Scientific Study of Old Chant Terminology and Their Reflection in Works of D. V. Razumovskij), in Gimnologija. Mat-ly Mezhdunar. nauch. konf. «Pamjati protoiereja Dimitrija Razumovskogo» (k 130-letiju Moskovskoj konservatorii) 3–8 sentjabrja 1996, Moscow, 2000, pp. 30–39.
5. Findejzen N. F. 1895 “Protoierej D. V. Razumovskij” (Archpriest D. V. Razumovskij), in Patriarshie pevchie d'jaki i podd'jaki i gosudarevy pevchie d'jaki. D. V. Razumovskij, Moscow, 1895.
6. Shevcova O. B. Nauka o cerkovnom penii v trudah knjazja V. F. Odoevskogo: Opyt rekonstrukcii. Dissertacionnaja rabota (Science about Church Chant in Works of Prince V. F. Odoevskij: Experience of Reconstruction. Dissertation), Moscow, 2012.
7. Shehovcova I. P. 2015 “Iz istorii moskovskih sobranij grecheskih pevcheskih rukopisej. Kollekcija D. V. Razumovskogo” (From History of Moscow Collections of Greek Chant Manuscripts. Collection of D. V. Razumovskij), in Vestnik PSTGU. Ser. V, Moscow, 2015, vol. 2/18, pp. 31–47.
8. Shlihtina Ju. 2000 “Materialy po vizantijsko-russkim muzykal'no-teoreticheskim svjazjam iz arhiva D. V. Razumovskogo” (Materials for Byzantine-Russian Musical-Theoretical Connections from Archive of D. V. Razumovskij), in Gimnologija: Mat-ly Mezhdunar. nauch. konf. «Pamjati protoiereja Dimitrija Razumovskogo» (k 130-letiju Moskovskoj konservatorii) 3–8 sentjabrja 1996, Moscow, 2000.
Скирская Т. В. У истоков русской музыкальной византологии. Официальное письмо Протоиерея Дмитрия Васильевича Разумовского Ивану Давыдовичу Делянову с подробным изложением содержания древнего Богослужебного чтения и пения Греческой церкви. Москва. 5 окт. 1862 г. // Вестник ПСТГУ. Серия V: Вопросы истории и теории христианского искусства. 2017. Вып. 25. С. 123-160. DOI: 10.15382/sturV201725.123-160
The publication presents the offi cial letter of Revd. D. V. Razumovskii, the historian of Church singing, to I. D. Delianov, director of St. Petersburg Public Library. This letter contains a detailed description of photographs of Greek manuscripts that were brought from the Athos expedition by P. I. Sevast'ianov.
D. V. Razumovski, P. I. Sevastianov, Musical Byzantine Studies in Russia, Greek musical manuscripts, ekphonetic notation, comparative paleography

Gertsman E. V. V poiskakh pesnopenij grecheskoj tserkvi. Preosvyashhennyj Porfi rij Uspenskij i ego kollektsiya drevnikh muzykal'nykh rukopisej. Sankt-Petersburg, 1996.
Ivanova E. A., “Vliyanie khudozhestvennykh i nauchnykh obshhestv na deyatel'nost' Moskovskogo Publichnogo i Rumyantsevskogo muzeya”, in: Rumyantsevskie chteniya. Pashkov dom, 2007, 142-150.
Smirnov V. B., “Stranstviya Petra Sevastyanova”, in: Strannik, 1997, 2-3, 4.
Shekhovtsova I. P., “Iz istorii moskovskikh sobranij grecheskikh pevcheskikh rukopisei. Kollektsiya D.V. Razumovskogo”, in: Vestnik PSTGU, 2015, V: 2/18, 31-47.