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Игошев В. В. Драгоценные вклады Строгановых во 2-й половине XVI - начале XVII в. в храмы и монастыри Великого Устюга // Вестник ПСТГУ. Серия V: Вопросы истории и теории христианского искусства. 2014. Вып. 2 (14). С. 59-82. DOI: 10.15382/sturV201414.59-82
In this article the author investigates before unexamined church utensils, icons in silver casings and other silver goods of the XVIth - XVIIth centuries. All of them represent deposits in the Great Ustyug temples and monasteries made by Stroganovs. The author atributes a lot of monuments of ancient Russian art saved in the Great Ustyug museum on the base of the complex analysis. Research of silver goods doing in this article is founded both on the analysis of the style, tipology, technological methods inherent the works of Old Russian masters and on the studying of writing sources and inscriptions on the goods. The new information received by the author is the convincing proof of making Stroganovs’ precious goods mentioned above in their art and technical studios.
Stroganovs, stroganov workshops, Sol΄vychegodsk, Great Ustyug, stroganov silver, сhurch utensils

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4. 1888 “Drevnjaja stroganovskaja ikona velikomuchenika Nikity i igumenstvo Ioannikija (v monashestve Ioasafa) Stroganova” (Old Stroganovskaja Icon of Martyr Nikita and Abbot Time of Ioannikij (Monk Name Ioasaf) Stroganov), in Vologodskie eparhial'nye vedomosti. Pribavlenija, 1888, vol. 7.
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6. Najdenov N. A. Ustjug Velikij. Materialy dlja istorii goroda XVII i XVIII stoletij (Po dokumentam Moskovskogo arhiva Ministerstva justicii) (Ustjug Velikij. Materials for City History of XVII and XVIII Centuries), Moscow, 1883.
7. Popov V. 1994 “Sol'vychegodskaja starina” (Sol'vychegodskaja Old Time), in Sol'vychegodskaja starina: Materialy i issledovanija. K 500-letiju g. Sol'vychegodska, Syktyvkar, 1994.
8. Polovcev A. A. (ed.) Russkij biograficheskij slovar' (Russian Biographical Dictionary), Saint-Petersburg, 1909, vol. 19.
9. Savvaitov P. I. Opisanie Veliko-Ustjuzhskogo Arhangel'skogo i pripisannogo k nemu Troickogo Gledenskogo monastyrja (Description of Veliko-Ustjuzhskij Arhangel'skij and Joint to It Troickij Gledenskij Monasteries), Saint-Petersburg, 1848.
10. Savvaitov P. I. Stroganovskie vklady v Sol'vychegodskij Blagoveshhenskij sobor po nadpisjam na nih, s prilozheniem sobornoj Opisi 1579 g. (Deposits of Stroganovy in Sol'vychegodskij Blagoveshhenskij Cathedral according to Their Inscripitions with Cathedral List of 1579), Saint-Petersburg, 1886.
11. Tel'tevskij P. A. Velikij Ustjug, Moscow, 1977.
Игошев В. В. Мастера серебряных окладов икон XVII в. иконостаса Преображенского собора Спасо-Евфимиева монастыря и особенности их работы // Вестник ПСТГУ. Серия V: Вопросы истории и теории христианского искусства. 2015. Вып. 3 (19). С. 81-101. DOI: 10.15382/sturV201519.81-101
This article deal with not previously studied silver rizas of 17th century of fi ve-tier iconostasis from Transfiguration Cathedral in Monastery of Saint Euthymius in Suzdal. The typology, style of the rizas’ decoration, the technique and stylistic devices of the silver masters are analyzed by the author. Different details of these rizas are made in such techniques as stamping (basma), engraving, chasing. The conclusions are made out from the research about the fact that in artel there were riza silver masters from Moscow and Yaroslavl. The masters from Moscow were making rizas’ parts in basma technique. The masters from Yaroslavl were working in engraving and chasing techniques. The silver pieces of church utensils for the Eucharist embedded in Transfiguration Cathedral in Monastery of Saint Euthymius during its second sanctification in 1670 are remained in Vladimiro-Suzdal museum. It is proved that these silver objects for the Eucharist were made by Yaroslavl masters and they were working with the silver rizas for iconostasis at the same time. The attribution of the silver objects for the Eucharist helps to identify the completion of works for the five-tier iconostasis — the 1st of October 1670.
Spaso-Evfimiyev monastery, Transfiguration Cathedral, iconostasis, salaries of icons, basma, engraving, stamping, church utensils, Yaroslavl silversmiths, Moscow silversmiths

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